Interior of the Carthay Circle Theatre on San Vincente Blvd, Los Angeles presenting the stage curtain which shows the Donner Party crossing the Sierras

Interior of the Carthay Circle Theatre on San Vincente Blvd, Los Angeles presenting the stage curtain which shows the Donner Party crossing the SierrasIt’s not too hard to find photos of the exterior of the striking Carthay Circle Theater at 6316 San Vicente Blvd. More challenging, however, is photos taken inside the auditorium. Someone recently mentioned to me how magnificent the theater’s curtain was. About a week ago, I came across a photo of it and learned it depicted the Donner Party crossing the Sierras during the brutal winter of 1846. To be honest, I’m not sure the portrayal of desperate pioneers enduring severe hardships, starvation, disease, and cannibalism made for an appropriate subject for people looking to have a good time at the movies. It does however look like it would have been quite striking in real life.

Andie P. said: “That is the old stage and original curtain. Much of the proscenium and stage surrounds were demolished when the TODD A O screens were installed for the premier of Around The World in 80 Days in December 1956.”

Bill C. said: “The theater had to have an orchestra pit and a pipe organ to accompany silent films. The Carthay had a full stage and used it for elaborate prologues before the feature film.”

 

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Screen-grabs of the Sunset Strip as seen in MGM’s “The Strip” (1951)

Screengrab from The Strip (1951) (1)

Last night I was watching an old movie on TCM (which is news that I can’t imagine surprises anyone) called “The Strip.” Produced by MGM in 1951, it starred Mickey Rooney, William Demarest, with Louis Armstrong and his orchestra, and was set on the Sunset Strip. Sounds pretty good, doesn’t it? Well … there’s a reason I’d never heard of it. It’s a fairly small-time effort whose highlight came in the first few minutes of the movie. This is a photo I took during the opening credits. It’s of the top end of the Sunset Strip looking east from around Harper Ave. The white building on the left is the Chateau Marmont Hotel. I guess it’s more than possible they made this panning shot on a Sunday morning, but my goodness, was this the last time the Sunset Strip had three automobiles on it?!?!

In this shot we’re looking west past Ciro’s nightclub on the right. This shot is possibly taken from the Sunset Tower Hotel (which back then was an apartment building. It became a hotel in the 1980s.)

Screengrab from The Strip (1951) (2)

In this night shot, we’re looking west from Maxime’s at 9103 Sunset Bvld at the corner of Doheny:

Screengrab from The Strip (1951) (3) - Maxime’s – 9103 Sunset Bvld

The Players Club – 8225 Sunset Blvd – opened summer 1940

The Players Club - 8225 Sunset Blvd

Ciro’s – 8433 Sunset Blvd – opened January 30, 1940

Ciro’s – 8433 Sunset Blvd

Paul Verlengia Marquis – 8240 Sunset Blvd – opened circa mid-1940s

Paul Verlengia Marquis - 8240 Sunset Blvd

Mocambo – 8588 Sunset Blvd – opened January 3, 1941

Mocambo – 8588 Sunset Blvd

Bublichki Russian Restaurant – 8846 Sunset Blvd

Bublichki Russian Restaurant - 8846 Sunset Blvd

La Rue – 8631 Sunset Blvd – opened April 22, 1944

La Rue - 8631 Sunset Blvd

Villa Nova – 9015 Sunset Blvd – opened 1939

Villa Nova – 9015 Sunset Blvd

Scandia – 9131 Sunset Blvd – opened 1946

Scandia – 9131 Sunset Blvd

 

 

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Early dual-lamp streetlights running along a dirt-covered Wilshire Blvd somewhere in Los Angeles, circa 1931

Early dual-lamp streetlights running along a dirt-covered Wilshire Blvd somewhere in Los Angeles, circa 1931

I’ve been posting a vintage photo of Los Angeles every day for more than 10 years, and yet it still amazes me when I see photos of main LA thoroughfares with hardly any automobiles, buildings, or people in sight. Like this one, for instance, taken somewhere on Wilshire Blvd where early dual-lamp streetlights have been installed, but by the looks of it, Wilshire wasn’t even paved over yet. We can see that it was still a dirt road. The caption placed it as circa 1931, which surprises me. You’d think Wilshire would have been sealed by then. On the other hand, Sunset Blvd west of Crescent Heights was still dirt at this time, so I guess not. (Source: Water & Power Associates)

Andie P. said: “My dad’s cousin who lived in the L.A. area from 1910, said that the unpaved roads were graded with horse drawn “graders” then “oiled” to keep the dust down. He and most men, had canvas “slippers” to wear over their shoes to keep the black oil from staining them.”

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Color photo of McDonnell’s El Rancho Hotel on San Fernando Rd, West Glendale, California, circa mid-1950s

Color photo of McDonnell’s El Rancho Hotel on San Fernando Rd, West Glendale, California, circa mid-1950sUntil I came across this photo, I only knew of McDonnell’s as a chain of popular drive-in restaurants throughout Los Angeles in the 1940s. But apparently they also had hotels. This one was called El Rancho Hotel and it stood on San Fernando Rd (I couldn’t find a specific address) in West Glendale, California, right near the Grand Central airport, just north of Griffith Park. I love those two white-topped Buicks parked out front. The black one is a 1954 model, so this photo (probably a postcard) is circa mid-1950s—and looks every inch a 1950s motel, doesn’t it?

This photo was taken on June 25, 1950 (see below for update)

Color photo of Color photo of McDonnell’s El Rancho Hotel on San Fernando Rd, West Glendale, California, June 25, 1950

McDonnell’s motels were the Plantation and the El Rancho:

Matchbook from McDonnell’s Rancho San Fernando Road in West Glendale, California

It looks like the second photo is actually of the El Rancho in Sacramento, California. It makes sense that all the El Rancho hotels shared a common look.

Postcard of the Hotel El Rancho, Sacramento, California

Ditto the one in Las Vegas, Nevada:

Color photo of the Hotel El Rancho, Las Vegas, Nevada

 

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Color photo showing an Oldsmobile and a Buick parked at the entrance to the Ambassador Hotel, 3400 Wilshire Blvd, Los Angeles, circa early 1960s

Color photo showing an Oldsmobile and a Buick parked at the entrance to the Ambassador Hotel, 3400 Wilshire Blvd, Los Angeles, circa early 1960sThe two classic-era automobiles (an Oldsmobile on the left and a Buick on the right) we can see in this color photo (a postcard, is my guess) taken at the entrance to the Ambassador Hotel on Wilshire Blvd are both from 1960, so I think we can assume this image is circa early 1960s. By then, the heyday of the Ambassador, and its drawcard venue, the world-famous Cocoanut Grove, nightclub was waning. But you’d never know it from this shot, with this beautifully glowing circular entrance. I’d imagine you could see it from all the way from Wilshire Blvd!

Michael F. said: “Both of those automobiles are white and brand new for 1960, it may have possibly been a show of what General Motors had to offer in elegant new designs.”

Tess Inman posted this photo on X with the following caption: “This was taken January 22, 2008. I talked my way back onto the Ambassador lot before the final demolition of what was left of the Cocoanut Grove.”

 

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Announcing the release of “Selznick’s Spotlight” – book 2 in the Hollywood’s Greatest Year trilogy by Martin Turnbull

Lights! Camera! Book launch!

I’m thrilled to announce that Selznick’s Spotlight — Book 2 in my Hollywood’s Greatest Year trilogy — has arrived in a swirl of ambition, drama, and more backlot gossip than Hedda Hopper could shake a feathered hat at.

We’re heading back to 1939, when David O. Selznick wasn’t just burning the candle at both ends—he lit the whole thing on fire and called it Gone with the Wind. If you thought Book 1 — Selznick’s Girl Friday — was an enchanting peek behind the studio gates, wait until you see what happens when ambition, ego, and kaleidoscopic dreams collide in this next chapter of Tinseltown history. If you like your behind-the-scenes tales served with a side of intrigue, ego, and Technicolor dreams, then Selznick’s Spotlight is ready for its close-up.

SELZNICK’S SPOTLIGHT

A Novel of 1939 Hollywood

by Martin Turnbull

Book 2 in the Hollywood’s Greatest Year trilogy

~oOo~

~oOo~

In the summer of 1939, Amelia Hartley is slinging hash and dishing sass at Schwab’s Pharmacy, but a girl can’t live on soda fountain shtick forever. When she learns of the planned revival of a long-forgotten film gem, Amelia seizes her chance for stardom—if she can convince the right people to believe in her.

At Selznick International, opportunity comes knocking when she’s offered the role of stand-in for a fast-rising redhead. But as Amelia works to make her mark, she uncovers an unexpected web of corruption stretching from Sunset Boulevard to Palm Springs. At its center stands a woman Hollywood cast aside—one whose secrets could upend Tinseltown.

As Gone with the Wind nears completion, Amelia must navigate studio politics while piecing together a mystery that threatens to ruin everything Selznick has built. In a town where facades mask hidden truths, Amelia’s about to learn what it takes to succeed in pictures.

From the author of the Hollywood Garden of Allah novels comes a tale of ambition, love, and betrayal set against Hollywood’s greatest year. This captivating adventure will transport you to a time when movies were larger than life, and dreams were made and shattered under the glare of the spotlight.

~oOo~

Pick up a copy of Selznick’s Spotlight in your favorite format from your preferred retailer:

Amazon US Kindle ebook

Amazon US paperback

Amazon Canada Kindle ebook

Amazon Canada paperback

Amazon UK Kindle ebook

Amazon UK paperback

Amazon Australia Kindle ebook

Amazon Australia paperback

Barnes & Noble Nook ebook

Apple ebook

Kobo ebook (US)

Kobo ebook (Canada)

Kobo ebook (Australia)

Goodreads

BookBub

Audiobook – coming soon

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Read Chapter 1 on my website

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ALSO BY MARTIN TURNBULL:

The Hollywood’s Garden of Allah novels

Book 1 – The Garden on Sunset
Book 2 – The Trouble with Scarlett
Book 3 – Citizen Hollywood
Book 4 – Searchlights and Shadows
Book 5 – Reds in the Beds
Book 6 – Twisted Boulevard
Book 7 – Tinseltown Confidential
Book 8 – City of Myths
Book 9 – Closing Credits

Chasing Salomé: a novel of 1920s Hollywood

The Heart of the Lion: a novel of Irving Thalberg’s Hollywood

The Hollywood Home Front trilogy:
Book 1 – All the Gin Joints
Book 2 – Thank Your Lucky Stars
Book 3 – You Must Remember This

The Hollywood’s Greatest Year trilogy:
Book 1 – Selznick’s Girl Friday
Book 2 – Selznick’s Spotlight

~oOo~

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Guardian Arms Apartments, 5217 Hollywood Blvd, Hollywood, circa late 1920s

Guardian Arms Apartments, 5217 Hollywood Blvd, Hollywood, opened on June 30, 1928Before finding this photo, I’d never heard of the Guardian Arms Apartments at 5217 Hollywood Blvd, Hollywood at the corner of Harvard Blvd. So I don’t have much information to pass on, other than to admire the craftsmanship that went into apartment buildings back in the 1920s. (The building opened on June 30, 1928.) I love the arches along the ground floor, the four rows of bay windows, and the detailing along the top of the building, which is eight stories up so very few people would ever even notice. (Source: jhgraham.com)

Detail of the entrance to the Guardian Arms Apartments. 5217 Hollywood Blvd, Hollywood

The Guardian Arms Apartments is still around. This image is from May 2022.

 

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Howard Ball’s sculpture of a mammoth is lowered via helicopter into the La Brea Tar Pits, Wilshire Blvd, Los Angeles, June 1968

La Brea Tar Pits? Well, here's your answer. The sculpture, created by Howard Ball, was positioned by helicopter in June of 1968This photo captures what I think of as being a very LA moment. In 1968, sculptor Howard Ball made a fiberglass mammoth to be placed into the La Brea Tar Pits, where natural asphalt has seeped up from the ground for tens of thousands of years, only the last 100 or so of which has been known as the Miracle Mile section of Wilshire Blvd. Over many centuries, the bones of trapped animals have been preserved in the tar, so Ball’s sculptures were a way to remind people of the pits’ perilous history. In June 1968, it was ready to be installed, but of course they couldn’t simply throw it in, so it had to be lowered into place via helicopter. (Source: miraclemilela.com)

Howard Ball towed the male mammoth sculpture from his studio to Hancock Park with his VW Bug:

Howard Ball towed the male mammoth sculpture from his studio to Hancock Park with his VW Bug

This is how that sculpture (along with its mate that Ball transported on a trailer pulled by his VW bug) looked in July 2021.

 

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The Mauretania apartment building at 520-522 N. Rossmore Ave, Hancock Park, Los Angeles, circa late 1930s

The Mauretania apartment building at 520-522 N. Rossmore Ave, Hancock Park, Los Angeles, circa late 1930sI’ve had my eye on this gem of an apartment building for a while, but have been waiting for a shot I liked. It popped yesterday on the Art Deco Facebook group. It’s known as the Mauretania and it stands at 520-522 N. Rossmore Ave in Hancock Park, which puts it one block north of the Wilshire Country Club. The Facebook post said it was designed by Architect Milton J. Black for Silas and Margaret Slusher who also commissioned Chateau Rossmore. They named the properties Si-Mar and Mar-Si after themselves. Actor Jack Haley (the Tin Man in “The Wizard of Oz”) and his wife Flora lived there. JFK rented the penthouse in July 1960 while the Democratic National Convention was held in L.A. So it’s got all kinds of history! The car parked out front seems to be a 1935 Chevrolet, so let’s call this photo circa late 1930s. (Source: Art Deco Facebook group of a Julius Shulman photograph)

Here’s a photo of JFK on the steps of the Mauretania:

Though hidden behind trees, the Mauretania is still with us. This image is from May 2024.

 

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Photo showing the removal of the Red Car streetcars tracks along the Hollywood Freeway heading into the Cahuenga Pass near the Hollywood Bowl, 1953

Photo showing the removal of the Red Car streetcars tracks along the Hollywood Freeway heading into the Cahuenga Pass near the Hollywood Bowl, 1953This photo shows us the end of an era: the removal of the Red Car streetcars tracks along the Hollywood Freeway in 1953. We’re facing north heading into the Cahuenga Pass and I suspect that offramp on the left leads to the Hollywood Bowl. The dismantling of the streetcar network was a long, drawn-out event that reshaped Los Angeles. In a number of ways it was inevitable—the system had been very unprofitable for years—but it’s still rather sad to see the long, wide scar where those tracks had been for decades. (Source: Water & Power Associates)

** UPDATE ** – Kevin W. on Facebook said: “It’s probably looking north from Pilgrimage Bridge. Those weren’t just streetcars; they were interurban trains.”

 

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