The house of L. Frank Baum (author of “The Wizard of Oz”) at 1749 N. Cherokee Ave, Hollywood, circa early 1900s

The house of L. Frank Baum (author of “The Wizard of Oz”) at 1749 N. Cherokee Ave, Hollywood, circa early 1900sThis home looks like a fairly typical Southern Californian dwelling with lots of windows and wide verandas. But this house at 1749 N. Cherokee Ave, Hollywood on the corner of Yucca St didn’t belong to just anyone. It was home to L. Frank Baum, the author of “The Wizard of Oz” who moved to Hollywood when it was still a sparse village filled mostly with citrus groves. He built the house in the early 1900s and called it “Ozcot.” Baum died in 1916, long before MGM premiered its film version in August 15, 1939, at Grauman’s Chinese Theater only three blocks away. Ozcot was razed in the late 1950s.

This is what stands on that corner today. It’s a shame the house is no longer there. It would make a wonderful museum who a man who led a rather extraordinary life. Aside from writing the Oz books, he also kept exotic birds and was a highly skilled horticulturalist. (This image is from May 2016.)

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A color shot looking east along Sunset Blvd from Vine St, Hollywood, circa early 1960s

A color shot looking east along Sunset Blvd from Vine St, Hollywood, circa early 1960sFrom our 21st century eyes, this photo looking east along Sunset Blvd from Vine St in Hollywood is filled with what we think of as classic American cars. But of course back in the early 1960s when this photo was taken (one of those cars is a 1960 Ford Fairlane and another is a 1960 Ford Falcon) they were all just regular cars that filled the streets of America from coast to coast. In the background, behind the two red ones, we can see the sign for Moulin Rouge, which is the nightclub that the Earl Carroll Theatre became in 1953.

This is roughly the same view in February 2021. You can juuuuuust see the Earl Carroll/Moulin Rouge building in the background. It’s still painted as the Aquarius for the Tarantino film “Once Upon a Time in America.”

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Palm tree getting moved from 1608 West 7th St, downtown Los Angeles, bound for the Doheny Mansion at 10 Chester Place near the USC campus, 1913

Palm tree getting moved from 1608 West 7th St, downtown Los Angeles, bound for the Doheny Mansion at 10 Chester Place near the USC campus, 1913You probably didn’t wake up this morning wondering how they moved palm trees in Los Angeles in 1913, but in case you did, this photo is for you. This palm tree was being moved from 1608 West 7th St in (what we now refer to as) downtown Los Angeles, and was bound for the Doheny Mansion at 10 Chester Place near the campus of the University of Southern California, south of downtown. Edward Doheny is the guy who discovered oil in California, so employing ten men and six horses to move a tree was easily affordable.

And here is another view of the Burkhard house and the freshly dug palm tree:

Doheny’s mansion is still there – and quite possibly that palm tree, too – and offers tours to the public.

The autocolorizer did a pretty good job with this one…although I wish it would color the sky with a nice shade of blue.

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A crowd of Angelenos watch a band playing out front of the Casino restaurant at Ocean Park, Santa Monica, California, circa 1905

A crowd of Angelenos watch a band playing out front of the Casino restaurant at Ocean Park, Santa Monica, California, circa 1905The Casino restaurant in the Ocean Park part of Santa Monica wasn’t a “casino” as we think of it today. Back in 1905, which is around the time this photo was taken, a casino simply referred to a building used for social amusements. This Casino restaurant also had tennis courts and a stage where bands could play. By the looks of the crowd packed shoulder to shoulder, whoever was playing that day were popular—although those four women in the bottom left corner, all decked out in white, seem to be over it. Perhaps they went for a walk along the pier that we can see in the background.

Susan M. says: “Casino in this sense of the term, lived on for some time. In the 30s on the Ocean Park Pier, there was The Casino Gardens. By the early 40s, Tommy Dorsey owned it. It played host to some of the best swing dances during the war I ever went to. No booze there, so as to allow all ages in, military and civilians. They had a big root beer bar. Most nights it was free root beer for military. They used to radio broadcast sometimes from here. Harry James, Jimmy Dorsey, Artie Shaw in his Navy uniform all played there. It pretty much folded for a time after a fire broke out there in ’43. It reopened but was never the same thriving place. By the 50s, there was a dance place on the pier there named the Circus Gardens. That one was demolished in the late 50s or early 60s when they expanded that pier for POP construction. I can still picture in my mind the Casino Gardens in the early war years. I think I fell in love more than a few times there with both song and Navy guys! Hearing Artie Shaw play “Begin The Beguine” live was a little slice of heaven.

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Cruising past Bob’s Big Boy restaurant, Riverside Drive, Burbank, circa early 1960s

Cruising past Bob’s Big Boy restaurant, Riverside Drive, Burbank, circa early 1960sI don’t know if that circa 1960 Thunderbird in the foreground of this photo was cruising Burbank on a Saturday night, but that sure is the vibe I’m getting from this image. Bob’s Big Boy with their “original double deck hamburger” is still around at 4211 W Riverside Dr, in Burbank. It’s the oldest remaining Bob’s Big Boy location and was declared a historical landmark by the state of California in 1993. I doubt that hormonal teenage boys still cruise the boulevards of the San Fernando Valley on the weekends, but the big tradition at Bob’s is on Friday nights when dozen of classic car enthusiasts meet there to show and check out each other’s classic American cars. You can see pics of it HERE.
 
And here is Bob’s Big Boy in January 2021
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The California Limited train stops at the Santa Fe depot in Pasadena, California, en route to Chicago, circa 1900

The California Limited train stops at the Santa Fe depot in Pasadena, California, en route to Chicago, circa 1900I do like the way this photographer has framed this shot. It’s a circa 1900 photo of the California Limited train during its stop at the Pasadena depot of the Atchison, Topeka and Santa Fe Railway en route to Chicago. He was standing in the waiting room facing north, and that building on the left was the Hotel Green. At this time, the trip from L.A. to Chicago took around 68 hours, which is a long time to be sitting around in those tight Victorian clothes, but still, I’d love to have experienced it just once.

Here’s a 1910 advertisement for the California Limited service.

1910 magazine advertisement for the California Limited

And here’s an auto-colorized version of that photo which I think does a pretty good job of bringing it to life.

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The Los Angeles Times building and tower lit up at night, Broadway and First Street, downtown Los Angeles, circa 1912

The Los Angeles Times building and tower lit up at night, Broadway and First Street, downtown Los Angeles, circa 1900sThe (third) Los Angeles Times building on the corner of Broadway and First Street in downtown Los Angeles looked more like a dance hall on a pleasure pier when it was lit up at night. The locals certainly knew where they were. (circa 1912)

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A circa 1910 Cadillac or Studebaker pulls out of the Selig Polyscope Co., Pacific Coast Studio at 1850 Allesandro St (later Glendale Blvd), Edendale, Los Angeles

A circa 1910 Cadillac or Studebaker pulls out of the Selig Polyscope Co., Pacific Coast Studio at 1850 Allesandro St (later Glendale Blvd), Edendale, Los AngelesWhen William Selig moved his Selig Polyscope moving picture company from Chicago to 1850 Allesandro St (later Glendale Blvd) in the Edendale section of Los Angeles in 1909, he created In L.A’s first permanent movie studio. (Among other firsts, he also made the first movie version of “The Wizard of Oz.”) In this photo we see what is most likely a circa 1910 Cadillac or Studebaker pulling out of the studio and onto a unpaved road. Behind the high wall we can see a filming stage with all-glass walls. Before effective lights were developed, early filmmakers had to rely on sunshine, which is what helped make California such an attractive place to film.

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YWCA , 251 S. Hill Street, downtown in Los Angeles, circa early 1900s

YWCA on Hill Street, downtown in Los Angeles, circa early 1900sI’m impressed that the Young Women’s Christian Association had a seven-story building on Hill Street in downtown Los Angeles. On second thoughts, single women trying to make their way in the world in the early 1900s when this photo was taken would have faced all sorts of obstacles; a place like this would have filled a need for shelter, food, and companionship. And if the YWCA took the trouble to build a seven-story facility, I’m guessing there was a great need. I tried to find out how much they charged back then, but couldn’t find any information. I do, however, like that mixture of horse-drawn and horseless carriages parked out front.

The building later became the Belmont Hotel:

Hotel Belmont (formerly the YWCA) 251 S. Hill St, Los Angeles

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Crossroads of the World shopping mall as seen from Selma Ave, Hollywood, circa 1936

Crossroads of the World shopping mall as seen from Selma Ave, Hollywood, circa 1936Most photos we see of the Crossroads of the World (America’s first outdoor shopping mall) are taken from the main entrance on Sunset Blvd, so it’s nice to find one taken at the northern end on Selma Ave, looking south. (We can see the entrance’s iconic globe peeking over the roof on the left.) Crossroads opened in 1936 and by the staged look of this photo, my guess it was taken around the time of the opening as a promotional shot. It does look like a tranquil oasis in the middle of busy Hollywood.

To see better what Crossroads of the World looks like, check out this 2021 video from “Mr. V”

This is roughly that same view in January 2018:

I think the autocolorizer did a pretty good job bringing this scene to life:

And here is a map of the whole complex:

 

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