Fire breaks out at the Richfield Building, 555 S. Flower St, downtown Los Angeles, the night of March 1, 1954

Fire breaks out at the Richfield Building, 555 S. Flower St, downtown Los Angeles, the night of March 1, 1954This view must have been both spectacular and horrifying to see in real life. One of the jewels of downtown Los Angeles architecture was the Richfield Building at 555 S. Flower St (1929 to 1969.) Clad in black and gold terracotta, it really was something. But on the night of March 1st, 1954, a wire short-circuited near a can of lacquer causing a fire to break out in an elevator shaft. This sent the flames roaring up to the top of the building and spreading to the top floors, causing $50,000 worth of damage. That’s nearly half a million dollars in today’s money, but they were lucky they didn’t lose the entire building. If you’d like to see the Richfield Building in all its glory, see: Different views of the Richfield Tower (aka Richfield Oil Building) downtown Los Angeles, 1929 to 1969

These days if you stand at 555 Flower St and look up, you see this unimaginative glass tower. This image is from December 2020:

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Selected pages from the program for the Music for the Wounded Concert at the Hollywood Bowl, July 2, 1947

My thanks to Nancy from Florida who sent me a bundle of goodies from the 1940s that belonged to her father, who appeared on the Red Skelton Show. Among them was a program for the 3rd annual “Music for the Wounded Concert” that took place at the Hollywood Bowl on July 2, 1947. I had never heard of it before, let alone knew that there was a series of them. Here are a selection of pages from that program. It looked to be quite a big deal. According to this account, the concerts raised money for entertainment for bedridden servicemen in area Army and Navy hospitals.

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Looking south down Vine St from Hollywood Blvd, Hollywood, 1942

Looking south down Vine St from Hollywood Blvd, Hollywood, circa 1950sI love the film-noir-ish feel of this nighttime shot of Vine Street in Hollywood looking south from half a block north of Hollywood Blvd. Maybe it’s just the angle of the shot, but I don’t recall seeing so many streetlights lining Vine. This shot was taken in the 1950s, when the Plaza Hotel was still a viable hotel before it later went to seed. That horizontal neon sign in the far distance says “Ravenswood” for the apartment building at 570 N. Rossmore Ave. Vine St becomes Rossmore south of Melrose. It was built in 1930 by nearby Paramount Studios and is still there in all its 1930s glory. But look at the angle of this photo. The photographer is at least two stories up—what was he standing on in the middle of Vine Street?

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Looking north toward the intersection of Carlton Way and Van Ness Ave, Hollywood, circa 1929

Looking north toward the intersection of Carlton Way and Van Ness Ave, Hollywood, circa 1929In this circa 1929 photo, we’re looking at an intersection that no longer exists. It’s where Carlton Way meets Van Ness Ave in Hollywood. Carlton runs left to right (i.e. west to east); Van Ness runs from the bottom to the top (i.e. south to north.) As we can see, this part of Hollywood was still semi-rural, with that orchard on the right, lots of empty land, and no fences between those three houses in the middle.

This photo is part of a wider panorama taken that day:

Looking north toward the intersection of Carlton Way and Van Ness Ave, Hollywood, circa 1929 (full panorama)

This intersection was demolished when the Hollywood Freeway was built in the 1950s. This is as far as Carlton Way goes these days. This image is from April 2019:

My thanks to David Ginsburg for his help identifying this image.

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Servicemen line up outside of the Hollywood Canteen at 1451 Cahuenga Blvd, Hollywood, 1942

Servicemen line up outside of the Hollywood Canteen at 1451 Cahuenga Blvd, Hollywood, 1942After organizing a post-premiere fundraiser at Ciro’s that resulted in $6,500 seed money, Bette Davis and John Garfield’s project, the Hollywood Canteen, opened at 1451 Cahuenga Blvd in Hollywood on October 3, 1942. Servicemen were welcomed with refreshments, world-class entertainment, and the chance for Tommy from Tennessee and Ike from Idaho to meet—and possibly even dance with—a real, live movie star. Bette insisted on full integration allowing Black men to dance with white women and vice versa. It doesn’t sound like a bit deal these days, but back then it was a first. This photo is from 1942, so it was taken not long after the Canteen opened.

These days that entire block is now a parking lot next to the CNN tower on Sunset Blvd. This image is from December 2020.

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A line of searchlights originating at the Hollywood Bowl comb the sky over Hollywood during WWII

A line of searchlights originating at the Hollywood Bowl comb the sky over Hollywood during WWIIWhen I saw the top photo of searchlights combing the sky over Hollywood during WWII, I figured it was unlikely that they’d have 24 searchlights all going at once and so what I was seeing was more likely a side effect of the slow shutter speed necessary for night photography. But then I came across the bottom photo showing two banks for 12 searchlights at the Hollywood Bowl reaching up into the night sky. We can see the curve of the Bowl in the background. What a sight it must have been standing on the stage that night!

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“Beryl in Hollywood” – woman stands on sidewalk outside Grauman’s Chinese Theatre, Hollywood Blvd, Hollywood, August 12, 1927

“Beryl in Hollywood” – woman stands on sidewalk outside Grauman’s Chinese Theatre, Hollywood Blvd, Hollywood, 1927Jerry from the Netherlands alerted me to a Tumblr account that focused on photos of theaters and cinemas – https://theatretalks.tumblr.com/ – on which he found a bunch of marvelous snapshots by someone who visited Grauman’s Chinese Theatre with her friend Beryl in August 1927, just three months after it opened. This one in particular caught my eye. Beryl is standing near the Hollywood Blvd curb out front of Grauman’s and behind her is an employee dressed in (what I assume to be) traditional Chinese garb. I’ve ever heard of, read about, or seen photos of what I assume was one of Sid Grauman’s (many) PR schemes to publicize his grand, new theater. Which is fine, but pity the poor schlemiel whose job it was to stand there all day and…do what? Just stand there?

** UPDATE ** Andie P says: “Stand there to open the doors of autos driven by chauffeurs, to assist the people to exit. At the time they had matinees plus live dancers before the movie.

Here some more photos from that visit:

Beryl in Hollywood - outside Grauman's Chinese Theatre , 1927 (1) Beryl in Hollywood - outside Grauman's Chinese Theatre , 1927 (2)

Also included is a photo of what I assume is the program that the two women got when they took in a show at Grauman’s Chinese:

Grauman's Chinese Theatre program from 1927

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Looking north up Vine Street across Selma Ave, Hollywood, circa mid 1930

Looking north up Vine Street across Selma Ave, Hollywood, May 24 1930In this striking photo, we’re looking north up Vine Street across Selma Ave toward the Hollywood and Vine intersection. The caption of this photo said it was taken on May 24, 1930. But those extraordinary searchlights suggest to me that they’re celebrating the opening of the Pantages Theatre, which opened on June 4. It was a very big deal, playing MGM’s The Floradora Girl, starring Marion Davies, with Al Jolson serving as the MC that night. It was definitely 1930 because the Dyas department store hadn’t yet changed to the Hollywood-Broadway, which happened in 1931. And on the right, we can see a billboard for “Hell’s Angels” which had its legendary Hollywood premiere at Grauman’s Chinese Theatre on May 27. So whenever this photo was taken, there was a lot going on!

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Montmartre Café, 6753 Hollywood Blvd, Hollywood, 1924

Montmartre Café, 6753 Hollywood Blvd, Hollywood, 1924Montmartre Café, at 6753 Hollywood Blvd, half a block east of the Hollywood Hotel was tucked away on the second floor but is credited with sparking Hollywood nightlife. Opening in December 1922, the Montmartre was Hollywood’s first nightclub and quickly reached its zenith drawing both movie stars and movie fans during Prohibition. More than just a nightclub, though, it was also very popular a lunchtime venue where the newly arrived Louella Parsons wasn’t above eavesdropping on lunching celebrities.

Here is an article from the Los Angeles Sunday Times reporting that the Montmartre is nearing completion. I’ve never heard of there being a 24-hour buffet downstairs so I’m guess owner Eddie Bandstatter reconsidered that idea:

Montmartre Cafe newspaper article

Eddie Brandstatter’s Cafe Montmartre menu – January 1, 1927:

Eddie Brandstatter's Cafe Montmartre Hollywood menu January 1, 1927

The building is still there and largely intact – the exterior is at any rate. This image is from December 2020.

 

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Northwest corner of Wilshire Boulevard and Shatto Place, Los Angeles, 1928

Northwest corner of Wilshire Boulevard and Shatto Place, Los Angeles, 1928This shot from 1928 gives us a glimpse of how Wilshire Blvd looked in the 1920s with its large homes on spacious grounds. This view is looking toward the northwest corner of Wilshire and Shatto Place at the Tudoresque mansion at 3143 Wilshire. I suppose it’s inevitable that the relentless march of progress would decree that a major thoroughfare like Wilshire would eventually give over to commercial interest, but how pleasant it must have been to motor along the boulevard at that time and gaze out the window at homes like these. There is a detailed history of that home here: https://wilshireboulevardhouses.blogspot.com/2013/04/3143-wilshire-boulevard-please-see-our.html

This is what stands on that corner today. This image is from November 2020:

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