Walt Disney Studios, 2719 Hyperion Ave, Los Angeles, circa early 1930s

Walt Disney Studios, 2719 Hyperion Ave, Los Angeles, circa early 1930sWhen Walt Disney opened his animation studio at 2719 Hyperion Ave in 1926, it marked his arrival on the entertainment scene. Until 1940, when they moved to a bigger campus in Burbank, this is where all the Disney shorts—as well as “Snow White and the Seven Dwarfs” were produced. Of course, the big draw was Mickey Mouse, which is why he’s on the sign that says “Walt Disney Studios – Mickey Mouse – and Silly Symphony Sound Cartoons.” Although not remembered quite so well these days, the Silly Symphony series were often seen preceding feature movies. This campus also housed the animation school that Disney opened in 1935. Going by the cars parked out front, this photo was taken circa early 1930s.

That site is now home to a Gelson’s supermarket. This image is from December 2020:

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Looking east along Third Street across Broadway to the Bradbury Building, downtown Los Angeles, 1894

Looking east along Third Street across Broadway to the Bradbury Building, downtown Los Angeles, 1894In a big, bustling city like Los Angeles, precious few places remain much the same as when they were built. That’s especially true of downtown L.A. where buildings are constantly razed and replaced. So it’s nice to come across a photo – from the 19th century, no less – and see a building that has barely changed at all. This photo of the Bradbury Building at Broadway and Third St was taken in 1894, a year after it opened. The buildings around it have changed, we no longer see horses and carriages, the streets themselves are now paved over, but the Bradbury remains intact. And thank God too, because it’s interior is like nothing else in all Los Angeles.

Roughly the same view in June 2015

The interior of the Bradbury Building features an enormous skylight that fills the terracotta atrium with a golden glow.

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Looking east along Hollywood Blvd past Warner Bros Theatre, Hollywood where Errol Flynn in “The Dawn Patrol” is playing, Hollywood, December 1938

Looking east along Hollywood Blvd past Warner Bros Theatre, Hollywood where Errol Flynn in “The Dawn Patrol” is playing, Hollywood, December 1938Posting a Christmas photo in May might seem strange, but this one was just so pretty that I decided to post it now. We’re looking east along Hollywood Blvd from Wilcox Ave. We know it’s December because the “Santa Claus Lane” sign and metallic light-up Christmas trees along the boulevard. And we know it’s 1938 because “The Dawn Patrol” starring Errol Flynn is playing at the Warner Bros. Theatre, and it was released Christmas Eve, 1938. It went on to become one of Warners’ biggest money makers of 1939, which is no mean feat during “Hollywood’s Greatest Year.”

Roughly the same view in December 2020. The Warners’ Theatre is still there (albeit closed) but the semaphore traffic light on the right is long gone:

 

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Topanga Canyon Blvd heading into the sparsely populated San Fernando Valley, Los Angeles, 1922

Topanga Canyon Blvd heading into the a sparsely populated San Fernando Valley, Los Angeles, 1922Topanga Canyon Blvd is one of the main roads that take Angelenos from the Pacific Coast Highway north of Santa Monica into the San Fernando Valley. As we can see in this photo taken in 1922, the Valley was filled with wide open spaces, ranches, and orchards. That’s certainly not the case now where pretty much every square foot of land we can see here is now filled with urban sprawl. But back then, it must have made for an enjoyably bucolic Sunday drive with the top down and all that endless California sunshine warming your skin.

Susan M said: “This would have been looking down at the now, long forgotten town of Girard. Girard became Woodland Hills by the start of the war years. Girard used to have the famed landmark of a collection of structures of minarets and Moorish domes. The town started as a questionable real estate development. It was always kind of a curiosity seeing the minarets out there in what was the middle of nowhere!

This is a 2021 satellite image of the same area we can see in the vintage photo. Those parallel streets so clearly visible in the 1922 are harder to see in the satellite image.

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Looking east on Sunset Boulevard from around Argyle Avenue, Los Angeles, 1931

Looking east on Sunset Boulevard from around Argyle Avenue, Los Angeles, 1931A couple of weeks ago I posted a photo of Sunset Blvd looking east from Serrano Ave in 1931. The width and emptiness of Sunset was as striking in that photo as it is in this. Here we’re seeing Sunset Blvd looking east from Argyle Ave, a block from Vine St. As with the previous photo, it’s striking how wide-open everything looks, how little traffic there was on a major thoroughfare like Sunset, and—more importantly to every Angeleno—how much available parking there was! To me, though, the most eye-catching detail is how that single line of Botts Dots running down the middle of Sunset was the only thing separating eastbound traffic from westbound.

Roughly the same view in December 2020:

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Looking south along Santa Monica Beach toward the pier, Los Angeles, 1929

Looking south along Santa Monica Beach toward the pier, Los Angeles, 1929It looks like living right on the beach was very popular even back as far as 1929, when this photo was taken from the top of the Santa Monica palisades looking south toward the pier where we can see the rollercoaster and the La Monica Ballroom that opened in 1924 and stuck around until 1963. On the right we can glimpse Ocean Front Walk pathway that still runs along the beach, but the railway tracks that run through the middle of this photo parallel to Pacific Coast Highway are long gone.

Susan M says: “Lots of memories of the La Monica. The place was huge. In the depression they had marathon dances there. By the war it was called the Santa Monica Ballroom. Post war, The King of Western Swing, Spade Cooley, broadcast his TV show from there. It became a huge roller rink by about ’54. It had a fire in ’62 that lead to it being torn down after.

The Santa Monica Pier, with the La Monica Ballroom, 1924:

The Santa Monica Pier, with the La Monica Ballroom, 1924

The La Monica Ballroom on the Santa Monica Pier:

La Monica Ballroom on the Santa Monica pier (1924 to 1963)

 

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Hollywood Theatre, Hollywood Book Store, See’s Candies, and Italian Kitchen, 6764 Hollywood Blvd, Hollywood, circa April 1942

Hollywood Theatre, Hollywood Book Store, See’s Candies, and Italian Kitchen, 6764 Hollywood Blvd, Hollywood, circa April 1942I love seeing photos of when Hollywood Blvd was more of a neighborhood shopping street. Here in one shot we can see a whole afternoon and evening’s entertainment. First I’d go to See’s Candies to pick up some chocolates to eat while seeing “My Gal Sal” and “The Great Man’s Lady” at the Hollywood Theatre, 6764 Hollywood Blvd (both movies came out in April 1942). Afterwards, I browse the Hollywood Book Store (where I’d probably buy “The Robe” which was a big seller that year), and then afterwards I’d have dinner at Italian Kitchen restaurant where I’d choose between the spaghetti for 30 cents, ravioli for 35 cents, or if I really wanted to treat myself, veal or chicken cacciatora for 55 cents. And then I’d go home on the Red Car whose tracks we can see in the foreground. Anybody care to join me?

Andie P said: “When my dad got out of the Army Air Corps in 1946, he lived in Hollywood in an apartment over a barber shop on Western. He said he could walk to anything he needed and take the rail cars to the beach. He bought a car so he could get out to where acreage was being sold in the S.F. Valley and a “utility yard” in Long Beach with quonset hut buildings left over from use in WWII – where he began assembling equipment and material for his construction business, while he waited to get his licenses. In his letters to me, he described Hollywood as being “homey” with neighborhoods where most of the people knew each other. Many businesses had apartments on the second floors where the shop owners lived, though some had divided their apartments into two, with the addition of a bathroom and a kitchenette to rent during the scarcity of housing during the war.”

Here’s a postcard showing the interior of the Italian Kitchen at 6225 Hollywood Blvd:

Italian Kitchen, 6225 Hollywood Blvd, Hollywood, California

The only thing left nowadays is the Hollywood Theatre, which is now a Guinness World Records museum. Or at least was before the pandemic. This image is from December 2020.

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Central Library under construction as seen from Hope Street, downtown Los Angeles, November 2, 1925

Central Library under construction as seen from Hope Street, downtown Los Angeles, November 2, 1925Having survived the threat of demolition in the 1970s and devastating fire in the 1980s, the L.A. Public Library’s Central Library building is one of the architectural jewels in downtown Los Angeles. In this photo, dated November 2, 1925 and taken from Hope Street, it is far enough along in its construction that we can see its iconic pyramidal silhouette taking shape. Back in the 1920s, there were a lot more of those small apartment buildings we can see on the left around the downtown area, but few, if any, survive nowadays. The building on the right looks like it would have been interesting, especially with those two-story arches, so it’s unfortunate that it hasn’t survived. But the library is still with us, and that’s is a lot to be thankful for.

**UPDATE** – The building on the right with the arches was the home of BIOLA (Bible Institute of Los Angeles) that eventually moved out to La Mirada. The building had the two large neon signs – “JESUS SAVES” – that were part of the LA skyline for decades.

Roughly the same shot in July 2014. The library is a little more crowded out these days, isn’t it?

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Semaphore traffic light somewhere in Los Angeles, circa 1928

Semaphore traffic light somewhere in Los Angeles, circa 1928I have no idea where in Los Angeles this photo was taken, but that’s beside the point. It’s a wonderful close-up of the semaphore traffic lights that controlled L.A. traffic until the three-light signal replaced them in 1956. The La Salle and Buick in the background dates this photo to circa 1928. But two things I had never noticed about semaphores before is the third, smaller light at the bottom. Can anyone tell me what that was for? And that box on the pole—was that used to adjust or fix the light? It kind of looks like one of those call boxes used to contact the police or get a taxi. I’d love to get some confirmation about what it actually did.

Susan M said: “The bottom, smaller light was a yellow light indicating caution. They usually were a flashing yellow in Los Angeles. The box contained the wiring/controls for the signal. They needed adjusting often.

You also used to see flashing yellow lights after say 9 or 10pm at some intersections. This was an indication of lower your speed and proceed with caution, knowing there might be multi cars with right of way in the intersection. Never made much sense to me to have a flashing yellow intersection in the later hours of a typically slower intersection vs just use the signal lights in an ongoing manner. Before all railroad crossings had cross guard arms that raised and lowered, some had yellow flashing lights to indicate proceed through the crossing with caution. Those are the main things I can recall about the old Acme and other automated signals that flashed yellow. Not all the Acme signals had a yellow light by the way. You’d run into some of the older ones put in pre-mid 30s that only had the red green lights. Most of the busier traffic areas replaced those however with the ones that had the little yellow bottom light. I can remember some of the old red green lights left for years however. Areas out by Mine Fields/LAX, down into the outskirts of Torrance, Gardena areas didn’t change out to newer signals until post war. Then those were retired lickity-split for the red-yellow -green lights that are more typical of those seen today.

On the Acme signals like this one, which is what most of the LA area had from the 30s on, the yellow light flashed before the red light would come on. They added the flashing yellow lights to cut down on running red lights by accident. In LA on a flashing yellow light, we could proceed into the intersection with caution, same as a green light. Some areas of the country, laws were different, and a yellow light meant almost the same as a red light. If the intersection was compromised by an accident or road work, the cops or roads dept usually turned the the signals for the intersection to flashing red for a 2-3 or 4-way stop. The only time you usually saw the flashing yellow was about 30 seconds before the signal changed to red. The timing sequence could be altered based on traffic patterns and how large the intersection was. Before all the meters in the streets and cameras in the sky, we used to have road dept employees called traffic counters! They sat at intersections (at the curb), and collected stats, timed signals and counted cars.”

Andie P said: “There were often older, usually deskbound cops who directed traffic at intersections when there was an accident – or a water main break, which happened once when I was with my stepmother in Hollywood. The cop arrived on a bicycle! Opened the box and set it to 4-way stop. The box on the pole could be accessed by Police or Fire to call in problems and also to SET the signal to ALL STOP, like the flashing red lights we have now. Drivers were expected to come to a full stop and wait until a TRAFFIC DIRECTOR waved them on, sent them down the side street or made them do a U-turn and go back the way they had come.

Chris S said: “The Acme traffic signal operated normally during the day flipping out its Stop and Go along with the red and green lights, respectively. The amber light at the bottom would not operate until night. It would go into flash at night. With fewer cars on the road, the timer would tell the arms to “park” themselves inside the signal and the bottom light would start flashing. The next morning, the amber light would stop flashing and the arms would start their waving at traffic again. The box in the post contained the signal controller and timer along with manual police controls.”

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Looking north up Vine Street from the Huntington Hartford Theatre, Hollywood, 1955

Looking north up Vine Street from the Huntington Hartford Theatre, Hollywood, 1955This photo was taken on a clear, sunny L.A. day looking north up Vine Street toward the Hollywood and Vine corner from Huntington Hartford Theatre (now The Montalbán) in 1955. I’m so glad that this shot is in color because we don’t often get to see awning and blade neon sign of the Brown Derby across the street. That red color is quite eye-catching which is, of course, the whole purpose.

Roughly the same view in December 2020. Just a tad more built up, isn’t it?

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