A streetcar line build to the side of Ocean Ave, Santa Monica, California, 1927
Pretty much every vintage photo I’ve seen of a streetcar line shows it traveling down the center of the road. But this photo of Ocean Avenue, Santa Monica in 1927 shows us a different, and perhaps more sensible way of laying things out. Placing the streetcar on the side of the road means that the overhead powerlines only extend part of the way over the street. It also means that the streetcars don’t interfere with traffic. And thirdly, passengers waiting for the next trolley don’t have to stand in the middle of the street where they’re vulnerable to inattentive drivers. This photo make we wonder why not all streets were organized this way!
Susan says: “As I recall, to some degree, no one wanted the street car line on their side of the street because it would cause lack of parking in front of their shops. Cities tended to put them down the middle so there would be more on the street parking. I think there was also something to do with keeping storefronts visible to cars driving down the street. Turns were probably easier for streetcars when they were positioned down the middle of the street. We didn’t always wait for the red car in the middle of the street. If it was one with a long enough stop, we waited on the sidewalk. But yes, it could be a bit precarious waiting for a car in the middle of a street. I tried not to do that unless there was a pedestrian corral or street marking allowance for pedestrians. People still got hit sometimes getting on and off street cars. There was a lot more jay walking back then getting to and from the street cars.”
Aerial view of the Goldwyn Studios (later MGM) in Culver City, California, 1918
This aerial shot of the Goldwyn Studios was taken in 1918, the year that Sam Goldwyn bought Triangle Studios on Washington Blvd in Culver City. We can see that it was a significant studio with many filming stages and lots of room on the right-hand side to build a backlot. We can also see that around it was wide-open land, so expansion was not a problem. In 1924, this studio lot became Metro-Goldwyn-Mayer. In the bottom left corner was can see the famous Colonnade Building which for a long while was the main entrance to the studio.
The Colonnade Building on Washington Blvd in December 2018:
Looking east toward Highland Ave along a wet Hollywood Blvd decorated for the holidays, circa mid 1930s
There’s a reason why so many night scenes in movies are shot with wet roads – it add enormously to the atmosphere. As we can see in this circa mid 1930s shot, the slick sidewalk (note the gorgeous interlocking octagonal tiles!) reflects the electric lights on the Christmas trees strung up along Hollywood Blvd for the holiday season. This shot was taken on the south side of the boulevard looking east toward Highland Ave. We can just see the lit-up sign for the Hollywood Hotel on the north side of the street.
Andie P says: “When I first came out to California in 1952, there were still a few places along Hollywood Blvd (and quite a few in downtown L.A.) where there were glass tiles in the sidewalks, mostly they were purple though they didn’t start out that way. They were for illumination, to pass light into the “basement” rooms below. In a few places there were “hatches” in the sidewalk that could be opened and hydraulic “elevators” to bring in supplies. My dad said that the glass tiles, mostly installed in the 1930s, was originally clear but exposure to the sun turned it purple – just like the “desert glass” where discarded clear glass also changed color when exposed to the sun. I remember seeing similar glass tiles in the sidewalks in Chicago but they were all “clear” glass although the surface had become “frosted” from abrasive grit on the soles of shoes.”
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Tagged Christmas, Hollywood, Hollywood Blvd, Hollywood Hotel, Hotels, Night photo
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Looking north up Vine Street from around La Mirada Ave past the Filmarte Theatre, Hollywood, 1937
In this photo we’re looking up Vine Street, Hollywood, from around La Mirada Ave. In the far background we can see the still-intact Hollywoodland sign on the hills. In the foreground, we can see the Maison Gaston French restaurant (at 1219 Vine) and on the right the Filmarte Theatre (1228 Vine) that in 1928 became a theater that showed “serious motion pictures” (which I assume meant European art films) and in 1957 turned into the home of Art Linkletter’s “People Are Funny.”
Here’s a shot of the Filmarte Theater in 1957, by which time it had become the Linkletter Playhouse:
Maison Gaston matchbook cover, 1219 Vine Street Hollywood:
Pacific Palisades Lighthouse with restaurant and bathhouse on the Roosevelt Highway (later Pacific Coast Highway), circa 1930
Yesterday’s photo of Carl’s Sea Air Lodge didn’t show the lighthouse that stood across the Roosevelt Highway (later Pacific Coast Highway.) Built in 1927, the Pacific Palisades Lighthouse had a working light but, unlike most lighthouses, it also had a restaurant which took advantage of the views of the water and coastline, as well as a bathhouse, and lifeguard headquarters. So it was a popular destination and not a lone light on an otherwise deserted and desolate coastline. In the early 1930s the whole place along with the beach was sold to Will Rogers, and later the beach was given to the state of California and renamed the Will Rogers State Beach, which is the stretch of coast directly north of Santa Monica.
This lighthouse was located near what is now the junction of Pacific Coast Highway and Chautauqua Boulevard, in Pacific Palisades.
Carl’s “Sea Air” Lodge Motor Apartments, Pacific Coast Highway, north of Santa Monica, California, circa early 1950s
This shot of Carl’s “Sea Air” Lodge on the Pacific Coast Highway roughly a mile north of Santa Monica is very 1950s – the eye-catching tower soaring above a one-story motel, those circa early 1950s cars parked out front, that signage “Motor Apartments.” But, in fact, this place was one of the oldest motels in California with a terrific location across the street from the landmark Pacific Palisades Lighthouse. It was around so long it went through several incarnations: Carl’s at the Beach, Carl’s Sea-Air Motel, Carl’s Sea-Air Lodge, and my personal favorite: the Sunspot Motel.
Susan said: “I remember this spot well. Just to the right here was the cafe/bar. The cafe would have been built a bit after this photo. There used to be a filling station that was part of Carl’s just to the right which was there in the late 30s and 40s. We used to have a summer place up the Hwy in the 30s. This was one of the first motels along this part of the coast Hwy. The first restaurants I recall that were part of this first structure, weren’t very good. My fav old time Hwy restaurant was up the Hwy called The Las Flores Inn. They had pens with seals in them you could feed.”