Color postcard of Universal Studios, Universal City, Los Angeles, 1928
We can see that back in 1928, when this image was captured, Universal Studios was still surrounded by the citrus orchards that used to blanket the entire San Fernando Valley. These days, the studio grounds probably cover most of the land we can see in this photo. But I do wonder if the people working there at the time could smell the oranges and lemons growing on the other side of the fence. Assuming, of course, that there even was a fence!
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Tagged Aerial photographs, Color photo, Movie Studios, San Fernando Valley, Universal Studios
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Culver City-Palms train station, 9013 Venice Blvd, Los Angeles, circa 1940
These days, Angelenos are getting used to seeing light rail stops around town but this one was a double-whammy. It was known as the Culver City-Palms station, serving both the Pacific Electric Railway Company and the Southern Pacific Railroad. At 9013 Venice Blvd, it was half a mile from M.G.M. studios so I’m guessing more than a few studio workers got off here each day. This photo is circa 1940. The land is now a huge parking lot for a mini mall but running alongside it is the Expo light rail line.
Bill D says: “If I recall correctly, this was a part of what was called the Santa Monica Air Line. The line served for many years for interurban freight (and may still do so). In my early teens I would ride my bicycle from Beverly Blvd. and Robertson Blvd. to Venice Blvd. near this depot. That was in the late ’40s – I don’t recognize the place today. The “new” Metrolink runs nearby.”
Recreation of Holdup at Garden of Allah Hotel, 8152 Sunset Blvd, West Hollywood, November 1951
My thanks to J. Yuma for bringing this photo to my attention. On November 30, 1951, two armed gunmen held up the Garden of Allah Hotel and got away with $500 cash. Obviously, they didn’t bring along a photographer to document their daring escapade so this must be a recreation. I’m not sure why someone felt it was necessary to restage the holdup but I’m glad they did because it gives us a rare glimpse at what the hotel’s front desk looked like. All that fancy grill work must have been gorgeous in person.
UPDATE: The photo accompanied a story in the Los Angeles Examiner.
It was news enough to make the L.A. Times:
The robbery was also reported in The San Bernardino County Sun on Saturday December 1, 1951. According to this article the haul was $1073, which is the rough equivalent of $11,000 in 2020.
Fox Movietone Studios building at the end of Orton Avenue, Century City, circa 1928
They really don’t make buildings like this any longer, more’s the pity. This was the Fox Movietone studios, where the Fox Movietone News newsreels were put together. It had a longer run than most studios, from 1928 to 1963. This photo was taken on Orton Ave in Century City at around Fox Hills Drive in around 1928. The building, which was absorbed in to Twentieth Century-Fox and also housed dressing room at one time, is still standing, albeit in a stripped down version.
***UPDATE*** – The name “Movietone” was the name given to Fox’s sound film process, so it’s very likely that this was actually the chief administration building for the studio and not just the newsreel department from which it took its name.
The same building in April 2019:
Here is a timeline of the early incarnation of what eventually because the 20th Century-Fox studio lot:
Here’s the timeline:
1915 William Fox purchases the old William Selig studios as 1st Fox studio in Southern CA.
1916: William Fox purchased the property for the Western Ave studio.
1923: William Fox purchases what will be Fox Hills (strictly a very big backlot for the squeezed-for-room Western Ave lot that remains the main lot).
October 28, 1928 Fox Hills opens as Movietone City and becomes the main Fox lot. Western Ave remains as a secondary lot, for the B movies etc. and later for television.
Fox Hills Studio (later Twentieth Century-Fox studios), Pico Blvd, Century City, October 1928
In 1935, the struggling Fox Film studios merged with Twentieth Century Pictures and created Twentieth Century-Fox on Pico Blvd in Century City. (And also gave us the world’s most famous fanfare.) Previously, the studio lot was known as “Fox Hills Studio” whose name was taken from the owner, William Fox and the nearby suburb, Cheviot Hills. William Fox opened this studio lot in 1923 but by the time this photo was taken circa late 1920s, Fox Films’ greatest successes were behind them and William Fox was on the verge of losing most of his fortune in the stock market crash. I don’t know what’s going on in this photo but it looks like a bunch of chauffeurs are gathered on the right, which would explain what a solitary motorcycle is double parked along Pico Blvd. (My thanks to David Ginsburg for helping me piece together this history.)
Michael T says: “This looks like dedication day October 1928. The Santa Monica Blvd side of the lot, where Avenue of Stars now intersects. Became a now-vanished back entrance to the 20th Century Fox lot.”
And here’s a shot of the rear of the backlot sets:
Egyptian Theater, 6712 Hollywood Blvd, Los Angeles, playing “How to Steal a Million” in 1966
Opened by Sid Grauman in the fall of 1922, the Egyptian Theater has had its fair share of updates and renovations. By the time it was playing Twentieth Century-Fox’s “How to Steal a Million” in 1966, it featured a brown-and-white curved marquee, which was eye-catching but not very Egypt-y. Next to it, in what is now the Pig ‘N Whistle restaurant, was a store called Master’s Mart. (see update below) I’m glad they retained the ornate façade out front.
That same view in March 2019. The Egyptian Theater is currently the home of American Cinematheque:
Master’s Mart sold appliances, housewares, and electronics. This catalog from 1968 appeared on Ebay:
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Tagged 20th Century-Fox, Egyptian Theatre, Hollywood Blvd, Stores and Shopping, Theaters
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Looking east along Wilshire Blvd from Hauser Blvd, Los Angeles, circa 1953
If you stood at the corner of Wilshire and Hauser Boulevards and looked east as this photographer did, you’d see one clothing store after the other: Coulter’s, Mullen & Bluett’s, Silverwoods, and Myer Siegel. And on the other side of the street there was a building that housed stores selling books, dance wear, violins, and beauty salon, and something called “Doctor Doolittle’s Shop” — what they sold is anyone’s guess. (UPDATE: see photo below) Judging from the white-and-red Chevrolet, green Ford wagon, and blue Studebaker, the most likely year for this shot is 1953.
The same view in April 2019 – I like how there’s a lot more greenery to soften the urban cityscape:
Doctor Doolittle’s Shop, 5672 Wilshire Blvd, Los Angeles City Director, 1951
A model shows off a sample bomb shelter at 10333 Santa Monica Blvd, Century City, Los Angeles, 1951
In the 1950s, the threat of nuclear attack was very real. Or at least that was the perception. The ol’ “duck and cover” advice really wasn’t going to help anybody survive the apocalypse, was it? A much more sensible solution was to build a bomb shelter. And how do you really get prospective customers interested? You get a pretty girl to sit on top of it and sexy up the whole concept! This model shelter was at 10333 Santa Monica Blvd, which is virtually opposite what is now the upscale Century City shopping mall. I do wonder, though, how many of these things they sold.
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Garden of Allah bar at the Garden of Allah Hotel, 8152 Sunset Boulevard, West Hollywood, circa 1950s
By the 1950s, A-list guests of the Garden of Allah Hotel (Flynn, Bogie, Bacall, Rogers, Stokowski, Marx, and half the Algonquin Round Table) were no longer around so the hotel did what many hotels do—it reinvented itself. All reports I’ve read of the bar say that it was dark and not well patronized. But sometime in the 50s, it got a complete makeover. As we can see from this photo, it got a long, roomy bar, a bunch of booths, new carpeting, and it looks like it opened out onto the famously infamous Garden of Allah pool. The bar became known as a hip jazz joint and Jack Costanzo – aka “Mr. Bongo” – recorded a live album there: “BONGO FEVER” which was the most, to say the least.