Aerial view of the Garden of Allah Hotel, Sunset Blvd, Los Angeles, circa 1940s
A previously unseen (by me, at least) photo of the Garden of Allah Hotel is always cause of excitement around these here parts. (My thanks to Jerry for sending me this one.) It’s odd that there is neither a car nor a person in this photo. Where was everybody? Maybe it was 7am Sunday morning? At any rate, without a car in sight, it can be hard to pin down a year. All I have to go on is that big tree in front of the main building. In this photo from circa late 1920s – https://wp.me/p5XK3w-2WU – it barely reaches the roof and doesn’t hide the building. So that plus 15 to 20 years of grown, makes me think this photo is mid-to-late 1940s. If anybody has another theory or observation, I’d love to hear from you.
I had someone on Fiverr color it for me to give us a better idea of how this view would have looked to the photographer, who, I assume, was probably standing on the nearby Chateau Marmont Hotel:
Apparently there are a couple of ways to get photos without people or cars: one is to take multiple photos and combine them together, though this would have been much more difficult pre-Photoshop. The other is to take a really long exposure (usually with a neutral density filter) so the moving objects just blur out to be non-noticeable.
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Tagged Aerial photographs, Color photo, Hotels, Sunset Blvd, The Garden of Allah Hotel
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Louis B. Mayer accepts the keys to the kingdom to the newly merged MGM studios, April 26, 1924, Culver City
The caption for this photo read:
“A natural showman, L.B. Mayer arranges for a public ceremony to officially launch MGM on April 26, 1924. Hundreds of stars, directors, and other employees assemble on the lawn of the Culver City lot with local dignitaries, including the Admiral of the Pacific Fleet. A Naval band provides the music, and congratulations are read from telegrams sent by President Calvin Coolidge and Secretary of Commerce Herbert Hoover. Flanked by two of his most important aides, Harry Rapf (left) and Irving Thalberg (right), Mayer accepts the keys to the kingdom.”
At the time, the new studio was known as Metro-Goldwyn. Mayer’s name wasn’t added for another 18 months or so.
The Feed Rack restaurant with oversized ice cream cones, 2626 Colorado Blvd, Eagle Rock, circa 1930
This place started out life as The Cone, ice cream parlor at 2626 Colorado Blvd, Eagle Rock, but then I guess the Great Depression hit and nobody could afford the luxury of ice cream anymore. So it became a small, no-frills restaurant called the Feed Rack. I love the sign that the guy out front is pointing to. It reads “Hello, Oldtimer! Are you broke and hungry? Stop and get some coffee & donuts. They are on us.”
Beacon Laundry, 9134 Wilshire Blvd, one block west of Doheny Drive, Beverly Hills, 1940
When the owners of a dry cleaning business decided to open up shop in a mini mall at 9134 Wilshire Blvd, one block west of Doheny Drive in Beverly Hills, they took the name of their store – Beacon Laundry – literally and built a huge Art Deco-style tower to make sure everybody in the neighborhood knew they were there. And what a glory it is to behold! What a shame it’s no longer there. But at least what replaced it isn’t hideous—which must be the first time in LA that a mini mall was replaced by something nice, and not the other way around. (Photo taken in 1940)
That same stretch of Wilshire Blvd in March 2019:
The evolution of the Leo the Lion film logo from Goldwyn Pictures to Metro-Goldwyn Pictures to Metro-Goldwyn-Mayer
While reading Mark A. Vieira’s wonderful biography, “Irving Thalberg: Boy Wonder to Producer Prince” I discovered an interesting fact. In April 1924, Marcus Loew merged three shaky film studios, Metro Pictures with the Goldwyn Company and Louis B. Mayer Productions, into one studio whose now-famous Leo the Lion logo was inherited from Goldwyn. Hollywood legend has always had it—or so I thought—that this was the birth of Metro-Goldwyn-Mayer. It turns out that that’s not the case. At the time, the merger birthed a studio simply called Metro-Goldwyn. Mayer’s surname wasn’t officially part of the studio’s name but instead, he got the title credit “Louis B. Mayer Presents” at the start of each movie. It wasn’t until some time toward the end of 1925 that Mayer managed to convince his corporate overlord, Marcus Loew, to allow his name to be added.
Ticket booths at Disneyland, 1975
Being inside Disneyland these days is still a magical experience. Crowded, yes, but the place still maintains its enchantment, if you ask me. However, getting into Disneyland these days is a different matter. You line up to get into the huge $20-a-day parking structure, then you line up to go through security, then you line up to catch a tram to the entrance, then you line up to buy your ticket, and then you line up to go through the turnstiles. Yeah, it’s a whole thing. So indulge me for a moment while I rhapsodize over this photo from 1975, the year of my very first visit, which shows the cute little ticket booths just outside the main gate. I don’t recall for sure that the lines outside them were made up of nicely dressed people who didn’t try to cut in line, but I like to think that’s what happened here. Also, admission started at $4.50. Right now, the cheapest ticket is $104.
A close up of the ticket prices: