A horse-drawn billboard for Bill Hoppers Blacksmith Shop rolls down Hollywood Blvd just west of Vine St, Hollywood, circa late 1920s

Bill Hoppers mobile blacksmith shop rolls down Hollywood Blvd just west of Vine St, Hollywood, circa late 1920sAnd from the “We Don’t See This Anymore” file comes this shot of what I can only describe as a horse-drawn billboard designed to advertise Bill Hoppers Blacksmith Shop. It does make me wonder how many blacksmiths still existed in Hollywood by the late 1920s (going by the automobiles in the parking lot in the background.) My guess is “not many” so maybe the point of this display was to remind the locals there was still at least one left. It’s rolling down Hollywood Blvd just west of Vine St, Hollywood.

** UPDATE ** Other people have suggested that this was a mobile blacksmithing service.

Kelly D says: “It only became a parking lot because of arson. I was waiting outside my apt building, on Hollywood Boulevard one morning at 3 am, waiting for the shuttle for LAX, when waaay down Hollywood Blvd, that was devoid of cars, I saw lots of emergency vehicle red lights. Lots. Turns out they were putting out the fire that destroyed the historic restaurant building.”

Andie P says: “Blacksmiths did a lot of work that had nothing to do with horses. Decorative ironwork & etc. My dad hired a mobile blacksmith in the late forties, fifties and sixties, to do ornamental gates, fences, tops on walls, and so on. The horse-drawn trailer may have been an advertising gimmick to attract business. If for shoeing horses, it would have been advertised as a farrier. And the one who took care of my dad’s horses in the fifties, had his base on San Fernando Road in East L.A. he had a portable “furnace” on his truck.”

Possibly taken earlier that day before the parade got going?

Bill Hoppers retired in 1954. Here is an ad for selling off his goods.

Advertisement for Bill Hoppers' retirement in 1954

The northwest corner of Hollywood and Vine in the vintage photo would later be the site of the CoCo Tree Café, which became Melody Lane, which became Hody’s, which – predictably – is now a parking lot again. This image is August 2022.

 

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Harold Lloyd confronts a policeman in “Why Worry?” as onlookers crowd the northwest corner of Hollywood and Cahuenga Blvds, Hollywood, 1923

Harold Lloyd confronts a policeman in “Why Worry?” as onlookers crowd the northwest corner of Hollywood and Cahuenga Blvds, Hollywood, 1923I assume I’m not the only one here who is forever distracted by background locations in old Hollywood movies, and who tries to figure where it was filmed? This is a case in point. In this scene from “Why Worry?” (1923) Harold Lloyd is confronting a policeman as onlookers crowd the northwest corner of Hollywood and Cahuenga Blvds in Hollywood. What I didn’t know was that prior to Kress opening their five-and-dime department store at 6608 Hollywood Blvd in 1934, they had a smaller store at that intersection. I also love that five-bulb street light, but I especially love that bell on the right. It designates the El Camino Real Highway. I believe (but might be wrong) that the rectangular sign below it gives mileage to the nearest mission.

** UPDATE** – Although he looks really short in this photo, Harold Lloyd was five foot ten. The guy playing the policeman was John Aasen who suffered from gigantism and stood seven foot five.

Jay S says: “From IMDB: ‘Ringling Brothers circus giant Cardiff Giant (aka George Auger) was contracted to play the role of Colosso, but died shortly after filming began. A nationwide publicity campaign was instituted to find a replacement. Norwegian John Aasen, living in Minnesota, was discovered as a result of a newspaper article about his shoe size.’”

Bill M says: “The sign on the El Camino Real Bell shows Mission San Fernando 3 miles. The one facing the other direction would give the miles to Mission San Gabriel. The bells were relocated to the Hollywood Freeway (101) in the 1950s.”

Al M says: “What’s also interesting, and goes right by the modern eye, is the sign for Stein’s makeup. Makeup for the masses was fairly new in the early 1920s and Steins was one of Max Factor’s main competitors – so a sign that big during that era was extremely significant. As far as I knew, Steins was based in NYC . . I know they were down in the Bowery for the longest time supplying materials for Broadway shows. I had no idea they had an LA presence at any time.”

This is how the northwest corner of Hollywood and Cahuenga Blvds looked in May 2022.

 

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Night shot looking south down Vine St from the Plaza Hotel, Hollywood, circa 1930s

Night shot looking south down Vine St from the Plaza Hotel, Hollywood, circa 1930sI don’t have a date for this night shot looking south down Vine St from the Plaza Hotel, just south of Hollywood and Vine, but from what I can see of the cars, it looks to be circa 1930s. But it’s obvious that the best thing the Brown Derby could have done was put up a huge, bright neon sign in the shape of a hat to remind people this was the place to eat. I also love how freshly fallen rain reflecting off the sidewalk on the west side of Vine adds to the atmosphere of this image.

This is how roughly that same view looked in June 2021:

 

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Angelenos brave an unusual snowfall to see Cab Calloway perform live at the Orpheum Theater, 842 S. Broadway, downtown Los Angeles, February 20, 1944

Angelenos brave an unusual snowfall to see Cab Calloway perform live at the Orpheum Theater, 842 S. Broadway, downtown Los Angeles, February 20, 1944The Angelenos we can see lining up out front of the Orpheum Theater at 842 S. Broadway in downtown LA must have really wanted to see Cab Calloway perform because they had to brave an unusual snowfall to do it. It looks like it’s barely an inch thick on the sidewalk, which is nothing for you hale and hardy New Englanders, but is enough for us Californians to think twice before leaving the house. The caption on this photo said the photo was taken on February 20, 1944.

For those of you who would like to speak fluent Cab, here is his Jive Dictionary:

Cab Calloway's Jive Dictionary

Having undergone a huge renovation in the 90s, the Orpheum Theater is still around and still a vibrant venue. This image is from February 2023.

 

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Color photo of Clifton’s Pacific Seas “Pay What You Want” cafeteria, 618 S. Olive St, downtown Los Angeles, circa early to mid 1950s

Color photo of Clifton’s Pacific Seas “Pay What You Want” cafeteria, 648 S Broadway, downtown Los Angeles, circa early to mid 1950sIn 1939, Clifton’s redecorated its location at 618 S. Olive St in downtown Los Angeles and relaunched it as “Clifton’s Pacific Seas” with an impossible-to-miss 20-foot cliff-face and waterfall that we can see in this color photo. We can also see their slogan “PAY WHAT YOU WISH.” Having opened in the depth of the Depression, Clifford Clinton wanted to do his part, so his patrons were only obligated to pay whatever they could afford, including nothing at all. Interestingly, very few patrons accepted a free meal. It was worth their self-esteem to pay the only pennies they had in their pocket. The person who sent me this photo asked what year it was taken. I can only guesstimate it was in the early to mid 1950s. Can anyone narrow it down further?

Clifton’s Pacific Seas was demolished in the 1960s. That site is now a parking lot. This image is from January 2023.

 

 

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Night shot of Bundy Theatre, 3414 Pico Blvd, Santa Monica, 1946

Night shot of Bundy Theatre, 3414 Pico Blvd, Santa Monica, 1946I love that this photographer thought to take a night photo of the glowing neon surrounding the Bundy Theatre in Santa Monica, silhouetting that car parked out front. But what I love even more is that several of the letters were out, which gives it a gritty film noir feel. The Bundy was playing Lawrence Olivier’s “Henry V” which puts this photo at 1946. Opening on December 31, 1941, the theater stood at 3414 Pico Blvd which was an unfortunate location because it stood in the way of the Santa Monica Freeway and forced to close in January 1963.

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Owl Rexall drugstore opens in Redondo Beach, Los Angeles, June 1950

Owl Rexall drugstore opens in Redondo Beach, Los Angeles, June 1950I don’t know the exact location of this Owl Rexall drugstore in Redondo Beach, but when they opened in June of 1950, we can see they switched on ALL the lights. In real life, it probably didn’t look quite this bright (due to the camera’s slow aperture needed for a night shot) but I’d imagine that all the locals were very aware a new Owl was in town.

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Looking south along the bluffs of Santa Monica Beach, California, 1888

Looking north along the bluffs of Santa Monica Beach, California, 1888This photo from 1888, we’re looking south along the bluffs of Santa Monica Beach. To be honest, I’m surprised to see so many beach huts filling the shoreline (I assume that’s what they were, and that people owned them?), especially seeing as how the whole population of Los Angeles hadn’t yet reached 50,000 people. Those bluffs are almost vertical so I’m sure the locals sure appreciated those stairs, but I wonder how rickety they became buffeted by the weather like that. Ditto the pier we can see in the background.

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Warner Club dinner dance in the Biltmore Bowl at the Biltmore Hotel, downtown Los Angeles, February 17, 1940

Warner Club dinner dance in the Biltmore Bowl at the Biltmore Hotel, downtown Los Angeles, February 17, 1940 (smaller)Click on image for a larger view

Happy 100th anniversary to the Biltmore Hotel! It opened 100 years ago on October 1, 1923 opposite Pershing Square in the heart of downtown Los Angeles, where it still stands today. Nicknamed ‘the Host of the Coast’ it was the most lavish hotel west of the Mississippi and marked LA’s emergence as a city of note. It did not, however, have a fittingly grand ballroom. This situation was remedied in 1928 when the hotel opened the cavernous, two-story Sala de Oro, which was later renamed the Biltmore Bowl. This photo was taken on February 17, 1940, when the Bowl hosted the sixth annual dinner dance of the Warner Club, which was the social club associated with the Warner Bros. movie studios. Good luck finding space on that dance floor!

This woman doesn’t look like she was having a whale of a time.

There’s a cut-up in every crowd, this guy was it that night.

 

 

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Photograph of the interior of a Transcontinental and Western Air Douglas DC-1 aircraft taken somewhere in Southern California, 1933

Photograph of the interior of a Transcontinental and Western Air Douglas DC-1 aircraft taken somewhere in Southern California, 1933

I don’t have a lot of information on this photo of the interior of a Transcontinental & Western Air Douglas DC-1 aircraft other than it was taken somewhere in Southern California in 1933. But it’s so atmospheric and evocative of the era, that I wanted to post it anyway. I love how the women are all wearing hats and the guy in front is wearing a three-piece suit. And nobody is schlepping three big carry-ons hoping they’ll find room in the overheads and annoyed that they can’t. Mind you, this cabin probably wasn’t pressurized like they are today, so in the air it was probably as noisy as all get-out and that kid in the second-to-last row will start screaming his head of any minute now.

** UPDATE ** From this article it looks like the above photo might have been for publicity:

https://www.thisdayinaviation.com/tag/transcontinental-western-air-inc/

Gary H on Facebook says: “re: the “glamour” of flying in this photo. Decades later it was certainly luxurious, and even in the 40s it was more comfortable because of pressurized cabins…but in the 30s it was not only rare and for the rich…it was not comfortable. The dual engine propellor plane had to fly under 10,000 feet before pressurized cabins. Loud, noisy, bumpy, and at the mercy of weather. This photo is for a transcontinental flight on Feb 18-19, 1934. It took 13 hours (a new record) and had to land twice to fuel. A great privilege for the rich, however, anything but a glamorous experience.”

Gary also supplied this photo of the aircraft they were flying on:

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