Humphrey Bogart’s Warner Bros work card, issued January 6, 1936 when he was living at the Garden of Allah Hotel

Humphrey Bogart’s Warner Bros work card, issued January 6, 1936 when he was living at the Garden of Allah HotelWell now, here’s a wonderful find: Humphrey Bogart’s Warner Bros. work card. He signed his WB on December 10, 1935, and on January 6, 1936—the day this card was issued—Warner Bros. held a trade preview for “The Petrified Forest.” So I guess they liked what they saw and signed him to a contract. But more interestingly, he gives his address as 8152 Sunset Boulevard—that’s the Garden of Allah Hotel!

By the way, I’ve never seen or heard of work cards before so I’m not sure what they were for. Perhaps some sort of ID needed when you collected your pay? Can anybody reading this shed some light?

UPDATE:

David says:

This sort of form has long been ubiquitous in the American employment setting, especially after the advent of Social Security in the 1930s. Moreover, I’d be surprised were it not typical in most advanced countries. Employers need a written acknowledgement of the basic terms of the employment relationship (especially for employees-at-will without a parallel governing written contract), and this spare form covers them.

Compare the recommendations on these two current websites, one a corporate advisory and the other from the federal government:

https://www.bizfilings.com/toolkit/research-topics/office-hr/setting-up-employee-records-and-personnel-files

https://www.dol.gov/whd/regs/compliance/whdfs21.htm

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View looking northeast across Los Angeles from top of Carthay Circle Theatre on San Vicente Blvd, circa 1929

View looking northeast across Los Angeles from top of Carthay Circle Theatre on San Vicente Blvd, circa 1929In all the years I’ve been researching Los Angeles history, I’ve come across tons of photos of the Carthay Circle Theatre, which opened in 1926. But this is the first time I’ve seen a photo taken FROM the theater’s majestic tower. This is the view from atop the tower looking northeast across what would later become the Park La Brea apartments. Down near the bottom of the picture, running down the center of San Vicente Boulevard, we can see the trolley lines used by the Los Angeles Pacific Electric Railway, which at the time this photo was taken (circa 1929) was the largest electric railway system in the world.

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Pershing Square panorama, downtown Los Angeles, 1920s

Pershing Square panorama, downtown Los Angeles, 1920s This sweeping photograph of Pershing Square and the Biltmore Hotel give us an idea of what the center of downtown LA looked like pre-1930. (The Title Guarantee Building at 5th and Hill opened in 1930.) It’s a nice reminder of what an oasis of leafy calm the square must have been back then. This is actually a large picture so if you want to study the detail, click on the photo and then click again for a close-up.

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Women gathered outside the Brown Derby, Vine Street, Hollywood, July 24, 1933

Crowd Outside the Brown Derby Restaurant, July 24, 1933A whole thicket of women was gathered outside the Brown Derby, Vine Street, Hollywood, on this day in 1933. I’m thinking either some sort of women’s auxiliary were having a meeting or word on the street got out that that new screen sensation, Cary Grant has been spotted inside and they’re waiting for an autograph.

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Robert Brunton Studios (before it became Paramount Pictures), at Melrose and Gower, Los Angeles, 1918

Robert Brunton Studios (before it became Paramount Pictures), at Melrose and Gower, Los Angeles, 1918Before there was Paramount Pictures, the studios on Melrose Ave in Hollywood were the Robert Brunton Studios. In this 1918 aerial photo, we can see their six soundstages lined up on the left. That big block of land to their right would later become RKO, which means that intersection on the far right about halfway down is where the famous RKO globe would later be built at Melrose and Gower. And that empty block of land in the bottom left corner with the white paths is the Hollywood Forever Cemetery (established 1899.)

**UPDATE** Here is a brief history of the studio lot:

  • 1917 to 1918 – Built as Paralta Plays, Inc.
  • 1918 to 1921 – Brunton Studios. Peralta/Brunton’s address was 5451 Marathon, the approximate location of the original Paramount main gate at 5301 – 5601 Melrose.
  • 1921 – Bought by M.C. Levee who renamed the lot United Studios. Joseph Schenck bought the lot amd moved his stable of players here from his studio in New York City.
  • The lot was initially about 23 acres in size and in the United Studios era additional land was purchased on either side giving them a total of approximately 43 acres. FBO was United’s western neighbor.
  • 1926 – Purchased by Famous Players-Lasky. Partners were Jesse Lasky (Lasky Feature Play Co), Adolf Zukor (Famous Players in Famous Plays), W.W. Hodkinson (Paramount Pictures Company), Cecil B. DeMille, and Samuel Goldwyn. A couple of years after the merger the name was officially changed to Paramount Pictures.
  • In mid 1960s – Paramount acquired its neighbor, RKO, which had been purchased from Howard Hughes by Lucille Ball and Desi Arnaz.
  • Mid 1980, the company purchased what is now the southeast corner, where Western Costumes stood.

The Robert Brunton Studio from the south looking north:

Robert Brunton Studios before it became Paramount Pictures

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“Beneath the 12-Mile Reef” plays Grauman’s Chinese Theater, Hollywood Blvd, Christmas 1953

"Beneath the 12-Mile Reef” plays Grauman's Chinese Theater, Hollywood Blvd, Christmas 1953CinemaScope was big news in 1953 when Twentieth Century-Fox’s released its third widescreen movie, Beneath the 12-Mile Reef at Grauman’s Chinese Theatre, where it played a very decent run of six weeks starting on Christmas Day 1953. (Note the fake-snowy trees along Hollywood Boulevard.) As we can see by the huge sign out front, Fox was very committed to letting everyone know that this was a CinemaScope picture, as was its accompanying Disney cartoon. In fact, Toot, Whistle, Plunk and Boom was in CinemaScope, Technicolor, AND Stereophonic Sound.

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The Magic Castle in Hollywood, under construction in 1908. Originally built as a private residence for Rollin and Katherine Lane.

The Magic Castle in Hollywood, under construction in 1908. Originally built as a private residence for Rollin and Katherine Lane.Not many buildings in Hollywood have lasted more than a hundred years, but this one has. We know it as “The Magic Castle.” It is the clubhouse of the Academy of Magical Arts, which is a private club for magicians. This photo was taken in 1908 as it was being built as a private residence for Rollin and Katherine Lane. Rollin was a lawyer, banker and real estate investor who helped build Hollywood and also invested heavily in the early development of the San Fernando Valley. Katherine was an author, teacher, and lecturer who served as president of the Woman’s Club of Hollywood. They sound like Hollywood’s original power couple!

See also: Rollin P. Lane house (now The Magic Castle) at 7001 Franklin Ave, Hollywood

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The steel frame of the new City Hall nears completion, downtown Los Angeles, 1927

The steel frame of the new City Hall nears completion, downtown Los Angeles, 1927When the new Los Angeles City Hall opened in 1928, it was the tallest building in LA (and remained that way until the First Interstate Bank Tower at 62 stories opened in 1973 (now the Aon Center.) So when the steel frame neared completion in 1927, it must have been quite a remarkable spectacle for Angelenos, who were not used to seeing buildings reach an astonishing 32 stories high. It’s a testament to the architects, Austin, Parkinson, and Martin that what they built still strikes a very impressive silhouette today.

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RKO studios at the corner of Melrose Ave and Gower St, Hollywood, circa 1937

RKO studios at the corner of Melrose Ave and Gower St, Hollywood, circa 1937I wish I had a date for this photo of RKO studios at the corner of Melrose Ave and Gower St in Hollywood but the movie posters are a little too blurry to make out. Whenever it is, it would be one of my time travel machine stops. That globe on the corner with the RKO antenna (at one point it flashed on and off – see photo below) is an icon of Hollywood architecture. Little did anyone working there at the time suspect that former chorus girl, Lucille Ball would own it when Desilu bought the property in 1957.

Night shot of RKO Studios, Melrose Ave, Hollywood

UPDATE: It looks like RKO are advertising Stage Door, with Katharine Hepburn, Ginger Rogers, and Adolph Menjou, which places this photo around 1937.

Poster for RKO's "Stage Door" (1937)

 

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Grauman’s Chinese Theater showing the ultimate LA film noir, “Chinatown” (1974)

Grauman’s Chinese Theater showing the ultimate LA film noir, "Chinatown" (1974)I don’t often post photos of Los Angeles from the 1970s buy this one was too “meta” to pass up. The ultimate LA film noir, “Chinatown” playing at the most iconic LA theater, Grauman’s Chinese on Hollywood Boulevard in 1974, where it played for 8 weeks. Plus it’s in color. Plus those Volkswagon Combi Vans parked out front – they’re so 70s, aren’t they?

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