Decades before it became a Guinness World Records Museum, Hollywood Theatre was an popular movie house at 6764 Hollywood Blvd just east of Highland Ave. In this photo, 20th Century-Fox’s “My Gal Sal” was on a double bill with Paramount’s “The Great Man’s Lady,” both of which came out in 1942. But what I love most about this photo is seeing its neighbors. You could have dinner at Italian Kitchen restaurant, drop by See’s Candies for some munchies, then browse in the Hollywood Book Store, until it’s movie time at the Hollywood Theatre. That’s a whole evening’s entertainment on one short block.
** UPDATE ** – For a comparison, see this 1957 photo taken at the same angle.
In this photo, we’re looking east along the north side of Hollywood Blvd just west of the Vine St intersection. That tall banner has been hung outside Sardi’s restaurant, which was at 6315. In mid-to-late 1941, radio personality, Tom Breneman, changed the name of his “Breakfast on the Boulevard” show to “Breakfast at Sardi’s” which joined the Blue Network on August 3, 1942 (or in 1943, reports vary.) In 1945, Brenneman moved to his own restaurant around the corner on Vine Street. But in this view, we can see the blade signs for the Equitable Building on the northeast corner of Hollywood and Vine, and farther along the boulevard, the sign for the Pantages Theatre.
This was roughly that view in August 2022. Both Equitable Building and the Pantages Theatre are still there.
I have two favorite details in this color photo looking north across a parking lot at the corner of Wilshire Blvd and Grand Ave in downtown Los Angeles. Firstly, that gorgeous teal Ford station wagon. (Officially the color was called Sea Foam green.) What a bright splash of color in an otherwise white-filled parking lot! And then in the background, we can see the tower of the Richfield building which was a spectacular office tower that stood due north of the parking lot at 555 S. Flower St until it was unfortunately razed in 1969. That two-toned station wagon is a 1955 Ford, so I’m putting this photo at circa mid-1950s. (You can see my collection of photos of the Richfield building on my website: https://tinyurl.com/2x4ejckx )
What used to be a parking lot is now a skyscraper. How’s that for a reversal from the way it usually goes? This image is from May 2022.
In this photo we’re looking southeast down Rodeo Dr from Santa Monica Blvd in Beverly Hills. It was taken in 1932, back when Rodeo Dr. wasn’t home to blocks of high-end stores that 99% of people can’t afford. It was a regular local street with regular local stores and cafes, which is why it looks so clean and uncluttered. I don’t know what sort of trees lined the street, but their uniformity almost makes it look as though they’re pointing to the Beverly Wilshire Hotel that back then would only have been four years old.
Depending on how you measure it, Hollywood’s golden era lasted between 30 and 40 years. Personally, I believe it ran from the 1927 release of Warner Bros.’ The Jazz Singer to 1959, when the studios treated us to some of their let’s-go-out-with-a-bang blockbusters: Ben-Hur, Some Like it Hot, and North by Northwest. (Coincidentally (or not-so-coincidentally) those are the same years the Garden of Allah Hotel was open.) But during that time, there was a particular year when everything came together, when the most talented people were at the top of their game and putting out their best work.
And that year was 1939.
In the space of those twelve short months, moviegoers were treated to some of the most timeless movies to come out of the studio system. Here is just a short list:
Gunga Din (RKO) Beau Geste (Paramount) The Women (MGM) Drums Along the Mohawk (20th Century-Fox) The Hunchback of Notre Dame (RKO) Union Pacific (Paramount) The Wizard of Oz (MGM) Stagecoach (United Artists) Mr. Smith Goes to Washington (Columbia) Ninotchka (MGM) The Story of Alexander Graham Bell (20th Century-Fox) Of Mice and Men (United Artists)
And, of course, the big kahuna:
Gone With the Wind (Selznick International Pictures)
For a while now, my author mind has been whispering in my ear, “There’s got to be a story worth telling in there somewhere.” Over time, the whisper became louder and more insistent until it grew into a nagging shrew I couldn’t ignore. And so when I finished You Must Remember This, book 3 in my WWII-era trilogy, I turned my attention to 1939.
What if…a character from outside Los Angeles lands in town? What if…she arrives as Hollywood is gearing up to have its greatest year? What if…she finds herself in the eye of a hurricane that nobody knows is happening?
These days, we have the benefit of 21st century hindsight. We can look back and wisely nod as we tell each other, “Yes, oh, yes, 1939 was the year when Hollywood reached pinnacle moviemaking, and there would never be another quite like it.” But back then, did those people know it? Highly unlikely, I think, but gosh, wouldn’t it be fun to look back with hindsight?
Yes, I decided, it would.
And so now I’m ready to reveal to you a few details of my next novel.
Selznick’s Girl Friday
by
Martin Turnbull
Book 1 in the Hollywood’s Greatest Year trilogy
As with my Hollywood’s Home Front trilogy, what started out as a stand-alone novel fairly quickly showed me there was more story to tell in just one volume. So, yes, Selznick’s Girl Friday kicks off a new trilogy.
And here is the book description:
~oOo~
Polly Maddox lives under the sheltering wing of Santa Catalina Island, her world as small and idyllic as the isolated cove where her father ran a not-so-secret moonshine operation during Prohibition. But when he’s accused of a startling crime and goes on the lam, Polly’s life capsizes, leaving her with little choice but to flee toward the gleaming mirage of 1939 Los Angeles.
Armed only with lightning-fast fingers and a sharp wit, Polly talks her way into the executive suite of demanding, brilliant movie producer David O. Selznick as he labors over his most ambitious project: a film the rest of Hollywood scornfully dismisses as “Selznick’s Folly.”
As Polly gets swept into the chaos of filming Gone with the Wind, she realizes Selznick may have information about where she might find her father—but does he have murky motives of his own? Undaunted, Polly forges ahead, but the battle to clear her father’s name thrusts her directly into the path of a ruthless insider—and he plays for keeps. Polly must outmaneuver his insidious ploys in a town where favors and fraud reign hand-in-hand.
From the author of the Garden of Allah novels comes book one in the Hollywood’s Greatest Year trilogy. This delightfully nostalgic yet gripping tale promises to transport you to a time when movies were larger than life and Hollywood was reaching its golden zenith.
~oOo~
You can read the first chapter here ahead of the June 2024 release.
This shot is an odd one. I couldn’t find this image posted anywhere else online, nor could I find “2334 Washington Blvd” on a map. I did, however, find a listing for Bay Cities Laundry at 2334 Washington Blvd in the Santa Monica and Venice 1936 City Directory online, so I know it existed and that the caption gave the right address, but that’s all I know about this place. But in a way, I don’t mind. The image is dripping with so much atmosphere that it pretty much speaks for itself, if you ask me.
This photo gives us an idea of what their delivery trucks looked like:
2334 Washington Blvd is now is now 2334 Abbot Kinney Blvd:
The Life magazine photographer who snapped this image was standing in the forecourt of Grauman’s Chinese Theatre, whose Chinese-themed box office that stood at the edge of the sidewalk. Past it is Hollywood Blvd, and on the far left, we can see the columns of the Masonic Temple (these days, Jimmy Kimmel broadcasts from there.) Strung across the boulevard is a banner with Warner Baxter’s name because the movie playing that week was MGM’s “Robin Hood of El Dorado” which means this photo was taken in May of 1936. My favorite detail of this photo is the well-dressed woman who’s just bought a ticket and is heading to see the double feature with MGM’s “Moonlight Murder” and a Disney animated short called “Three Little Wolves.”
I love seeing photos of visiting Shriner conventioneers marching through the streets of LA , especially when they go to the trouble of decorating a — I don’t even know what to call that vehicle. A miniature car? A maxed-out go-cart? — with a giant fez. Behind it are the proud members of the Tadmor Shriner Temple in Akron, Ohio marching along Fifth St in downtown LA in 1925. In the far distance we can see the arched windows of Southern Pacific Railway’s Central Station where 5th Street dead-ends at Central Ave.
This is what that woman was driving, a 1930 Gertler-ELTO Midget Racer:
This is roughly how that view (at 5th Street and San Pedro looks these days:
** UPDATE – this photo appears to be from the late 1940s (see below) **
I don’t think I’ve ever seen a photo of the Hollywood and Vine intersection flooded, so I guess it must have REALLY been raining A LOT just before this photo was taken. That pale car in the foreground is a 1936 Chevrolet, but the Melody Lane diner on the northwest corner took over from the CoCo Tree Café in 1940, so I’m guessing this photo is probably circa early 1940s. I’ve also never noticed that neon sign saying “Pig ‘n’ Whistle” over the doorway on the far left. It make sense though, because it was restaurateur Sidney Hoedemaker from the Pig ‘n’ Whistle *next to the Egyptian Theatre a few blocks west) who opened Melody Lane.
Ward E. on Facebook says: “The picture must have been taken in 1949 or later as the car in the right background looks to be either a ’49 or ’50 Chevy.”
Glen N on Facebook says: “To help date this, the street light on Hollywood Boulevard directly in front of the word “Melody” was installed in the summer of 1948.”
Brad B says: “I remember Madman Muntz from the 1960s-70s. This image had to be post-WWII circa 1947-50. Madman Muntz was under investigation for illegal WWII car sales until 1946 (acquitted) and started selling TV sets in 1947 (billboard). The 1930s cars were common in the late 1940s because of the war effort. This was most likely 1948-49 when he was famous for wearing the red long johns and a Napoleon hat on the Ed Sullivan Show.”
This is how that corner looked in June 2021. Yes, of course it’s a parking lot now.
I’ve posted a number of photos of this magnificent building before, but I don’t think any of them were as remarkably crisp as this one. It’s the Los Angeles County courthouse at the corner of Temple Street and Broadway in downtown Los Angeles. It was taken circa 1899, and the only forms of transportation we can see here are horse-drawn carriages and that streetcar on the left that’s heading south down Broadway. (It’s so early, in fact, that it might even be a cable car.) And look at that pair of matching palm trees on the corner. I’m guessing they were only just planted. But most impressive (to me, at least) are the two water sprinklers on the Temple St lawn. I’d have thought they were a 20th century invention.